34,25 €
40,29 €
-15% su kodu: ENG15
Fictions of Emancipation
34,25 € 
- Išsiųsime per 10–14 d.d.
This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a rep…
34.25
2025-07-27 23:59:00
/https://libri-media.knygos-static.lt/fb41e628-9514-4e9d-a9ea-a09071061339/3)
- Autorius: Elyse Nelson, Wendy S. Walters
- Leidėjas: Yale University Press
- Metai: 2022
- Puslapiai: 176
- ISBN-10: 1588397440
- ISBN-13: 9781588397447
- Formatas: 17.8 x 22.8 x 1.4 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
Atsiliepimai
Aprašymas
This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles Cordier, Edmonia Lewis, and Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement.EXTRA 15 % nuolaida su kodu: ENG15
34,25 €
40,29 €
Išsiųsime per 10–14 d.d.
Akcija baigiasi už 3d.06:48:55
Nuolaidos kodas galioja perkant nuo 10 €. Nuolaidos nesumuojamos.
- Autorius: Elyse Nelson, Wendy S. Walters
- Leidėjas: Yale University Press
- Metai: 2022
- Puslapiai: 176
- ISBN-10: 1588397440
- ISBN-13: 9781588397447
- Formatas: 17.8 x 22.8 x 1.4 cm, minkšti viršeliai
- Kalba: Anglų
This groundbreaking publication on Jean-Baptiste Carpeaux’s (1827–1875) bust Why Born Enslaved! examines the work in the context of transatlantic abolitionist movements and France’s colonialist fascination with Africa in the nineteenth century. Thoughtful essays by noted art historians and literary scholars, including Adrienne L. Childs, James Smalls, and Wendy S. Walters, unpack European artists’ engagement with the Black figure, simultaneously evoked as a changeable political symbol and a representation of exoticized beauty and desire. The authors compare Carpeaux’s sculpture to works by his contemporaries, such as Charles Cordier, Edmonia Lewis, and Simon Boizot, as well as to objects by twenty-first-century artists Kara Walker and Kehinde Wiley. In so doing, the book critically examines the portrayal of Black emancipation and personhood; the commodification of Black images to assert social capital; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux’s sculpture to legacies of empire in the postcolonial present. It will also feature a chronology of events central to the nineteenth-century antislavery movement.
Atsiliepimai